Top 25 Albums of the Decade: Part IV
Funk, Ego, and the decades best Rock.
5. The Arcade Fire – Funeral – Funeral is audio biography of every awkward, lingering, fearful, hopeful, and unresolved emotion of a generation that grew up increasingly digital and detached. The opening chords of Wake Up – are every bit as powerful and articulate of their generations unique emotional collective as Kurt Cobain’s brooding Smells Like Teen Spirit. Where Nevermind showed the angstful children of Reagans’ America struggling to find what trickled down, Wake Up is the choiring sound of a generation who grew up social networking, struggling to get degrees – not grow up, and trying desperately to hold on to the emotions they hardly felt before their lives and friends became Myspace pages.
The Canadian band (named after “Not an actual event, but one I took to be true.” according to the band) formed in tragedy. Funerals name isn’t cryptic; the band was losing family members.
William Butlers hallowing voice fights gigantic chords and arrangements including a music class worth of instruments. Sounding like all the best parts of Ziggy Stardust – without the space sci-fi theme – Funeral ended up being more about life than death.
Key Tracks: Wake Up, Neighborhood #1 (Tunnels), Crown of Love.
The Canadian band (named after “Not an actual event, but one I took to be true.” according to the band) formed in tragedy. Funerals name isn’t cryptic; the band was losing family members.
William Butlers hallowing voice fights gigantic chords and arrangements including a music class worth of instruments. Sounding like all the best parts of Ziggy Stardust – without the space sci-fi theme – Funeral ended up being more about life than death.
Key Tracks: Wake Up, Neighborhood #1 (Tunnels), Crown of Love.
6. Wilco – Yankee Hotel Foxtrot – It was rejected by AOL Time-Warner. Producers called it a career killer. The Internet buzzed about it. It was set to be released on September 11th; then mysteriously delayed. With all the myth, circumstance, and hype surrounding the album it would seem the only way for Jeff Tweedy to live up to the hype was for him to pull a Prometheus. Yankee Hotel Foxtrot wasn’t fire. But it’s almost as good.
Wilco hadn’t been the most advanced band. Tweedy channeled the greats (Dylan, Young, Lennon) with enough pop savvy and folk honesty to matter; but they were just another good band. Foxtrot changed that.
Wilco stretches simple chord progressions and folk melodies tirelessly over 6 minutes, (I am Trying to Break your Heart) layered with a clutter of charming Pink Floyd style clatter. Tweedy’s quiet tortured-soul acoustics find new depth with the subtle and constant drums and bright keys on Radio Cure. And, the bands ever improving guitar licks on I’m the Man who Love you.
We at the Vanguard also respect the way Wilco handled their material. The very reason for our list is to demonstrate examples of good media; albums about, and controlled by, the people who made them. Yankee didn’t have a single, was streamed free online for awhile before release, and even when it was rejected by labels, Wilco didn’t let it change their art.
And as for it being a career killer, it’s their best selling album to date, and made it to 13th on the billboard charts – pretty good for an album with no radio friendly tunes.
Key Tracks: Radio Cure, I am Trying to Break Your Heart, Jesus Etc.
7. OutKast –Stankonia – Not Really hip-hop, rock, pop, or funk, but some kind of cool-breathing Chimera of a group. Outkast played their mad-scientist mix to perfection, putting most other bands who specialized in one of its many flavors to shame. No one pushed the beats better than Bombs over Baghdad (B.O.B) and still flaunted pop like Mrs. Jackson on the same disc. And that was in a decade dominated by pop hooks and beats – that has to mean something…Although not on the album, they also had the best song of the decade with the merit-of- divorce anthem: Hey Ya!
Key Tracks: B.O.B, Mrs. Jackson, So Fresh So Clean.
8. Kayne West –College Dropout – It may seem a strange comparison, but in a lot of ways Kayne West is like Rivers Cuomo. In the early 1990’s Rock was mostly a merchant of downers (Soundgarden, STP, Alive in Chains), but Cuomo sounded more like Buddy Holly – who dropped his amp. He was singing about D&D, falling in love with lesbians, pen pals...nerdy shit.Kayne made an album about his salvation (Jesus Walks), the dilemma of modern college life (All Falls Down), and how consuming the rap formula can be (Breathe in Breathe out) in an era where hip hop primary function was making girls dance…nerdy shit – for hip-hop.
Kayne’s ego is something stratospheric, but it protects him. It takes a lot of confidence to allude to Happy Gilmore.in your hit about finding the son of god. It’s that humor, and quirky ego, that made Kayne the first producer turn rapper – that didn’t suck.
Key Tracks: Jesus Walks, All Falls Down, Breathe in Breathe Out.
9. The White Stripes – White Blood Cells – If The White Stripes sounds like they rock too hard for a two person bad – it’s cause their not. Don’t believe Jack White isn’t conjuring the spirit of Jimmy Page, Bob Dylan, or whatever dead delta blues men he can when he plays. “Feel in Love With a Girl” made them mainstream, but Jack’s Guitar (Dead Leaves and the Dirty Ground), his holler of a voice (The Citizen Kane Tribute The Union), and his charm (We’re Going to be Friends.) made them the best American band of the decade.
Key Tracks: Dead Leaves on the Dirty Ground, Fell in Love with a Girl, Hotel Yorba.









